Performing Songs & Staging Theatre : Working through the Trauma of the 1965/66 Mass Killings

Kajian-kajian Dyah Pitaloka

Dialita choir, a celebration of hope – DYAH PITALOKA

The Dialita choir’s “Song for my Child” concert on Dec. 13 was both an emotional and empowering experience.

The performance moved the audience and brought tears to many eyes, while offering an alternative form of dialogue.

For me, the tears that night were ones of joy and hope.

Performing Songs and Staging Theatre Performances : Working through the Trauma of the 1965/66 Indonesian Mass Killings

Dyah Pitaloka & Hans Pols

December 2021

DOI:10.3138/9781487539405-009

In book: Languages of Trauma (pp.141-159)

Performing Songs as Healing the Trauma of the 1965 Anti-Communist Killings in Indonesia – Dyah Pitaloka and Mohan J. Dutta

simak pula

The Act of Singing : Women, Music, and the Politics of Truth and Reconciliation in Indonesia/Aksi Menyanyi) : Perempuan, Musik, Politik Kebenaran, dan Rekonsiliasi di Indonesia ANDREW N. WEINTRAUB

(dwi bahasa)

sila unduh

December 2021Yearbook for Traditional Music 53:1-44

DOI:10.1017/ytm.2021.6

Bentuk Perlawanan Perempuan – Kajian Album Paduan Suara Dialita Dunia Milik Kita dan Salam Harapan.

Dari Temu Rindu, Selamatan Anak Cucu Sumilah hingga Gejolak Makam Keramat : Teaternya Perempuan Penyintas Yogyakarta Yang Tak Pernah Menyerah [KIPPER – Kiprah Perempuan]

Simak 1500 ‘entry’ lainnya pada link berikut

Daftar Isi Perpustakaan Genosida 1965-1966

Road to Justice : State Crimes after Oct 1st 1965 (Jakartanicus)

Definisi yang diusulkan D. Nersessian (2010) untuk amandemen/ optional protocol Konvensi Anti-Genosida (1948) dan Statuta Roma (2000) mengenai Pengadilan Kejahatan Internasional. (disalin dari Harry Wibowo)